Felix Antonio releases “Christmas With You,” a warm and intimate holiday single ! → Listen

After an introductory first single on InFiné, Felix Antonio releases “Christmas With You,” a comforting song that captures the gentleness of the holiday season. Wrapped in a soft, fireside atmosphere, the track is designed to warm listeners through a cold December night, blending muted piano and intimate vocals.

“Christmas With You” celebrates life’s simple pleasures, the quiet moments shared with loved ones, the stillness of winter evenings, and the unique sense of closeness that emerges as Christmas approaches. Felix Antonio invites us into a delicate, heartfelt world where nostalgia and tenderness take center stage.

To mark the release, Felix will perform at Bars en Trans on December 5, at Rennes.

More about Felix Antonio

Léonie Pernet reimagines “Réparer le monde” in a powerful anniversary release featuring Clara Ysé and Scratch Massive → Listen

One year after unveiling “Réparer le monde”, the lead single from her third album Poèmes Pulvérisés, French composer and producer Léonie Pernet gives new life to the track through an unexpected and emotionally charged collaboration with close friend Clara Ysé.

This new duet version marks the convergence of three major forces in today’s French music scene: Pernet’s orchestral and electronic sensitivity, Ysé’s magnetic and unmistakable voice, and the dark, refined touch of the iconic electronic duo Scratch Massive.

Clara Ysé writer, composer, vocalist and novelist, first celebrated for her debut album Oceano Nox brings a fresh color to the piece, embracing its depth with precision and emotion. Together, Pernet and Ysé create a luminous yet aching dialogue, where vulnerability reveals its own form of strength.

“Réparer le monde” also becomes a collective anthem in a live version recorded at the Philharmonie de Paris in November 2024, featuring the Chœur Pulvérisé. From there, Scratch Massive, pioneers of French electronic music for over two decades, carry the track into new territory, reshaping it into a cinematic, hypnotic, and sensual trance.

Balancing French pop, art-pop ambition, and electronic spirituality, this anniversary edition of “Réparer le monde” stands as a bold gesture of beauty, unity, and shared resilience.

In keeping with the song’s spirit, all proceeds from this special edition will be donated to SOS Méditerranée.

More about Léonie Pernet

British producer Nathan Fake makes his return with two new singles: “Bialystok” and “The Ice House.”  → Listen

With “Bialystok” Nathan Fake channels the warmth and immediacy of his early work while introducing a new sense of emotional precision. The track opens with a garage-house beat, driven by a descending-tone kick that fuels a raw, almost primitive energy. A sharp snare, reminiscent of electronic maracas, shapes the rhythm, while scattered melodic notes shimmer like ice bubbles. The result is a sound thatis subtle, propulsive, and radiant, revealing Fake at the height of his craft.

Paired with “Bialystok,” the second single, “The Ice House” unfolds a luminous palette of FM synthesizers, crystalline arpeggios, and a clear, resonant bass. Together, the two tracks outline the sonic identity of the new album, conceived as airy, daytime, and melodic.

The two excerpts are from Nathan Fake’s upcoming album Evaporator, due to be released on InFiné.

Composed, produced, performed and mixed by Nathan Fake
Mastered by Lorenzo Targhetta

—

Fake’s comeback also marks a new set of live shows.

TOUR DATES

03.12.25 – Kantine am Berghain, Berlin – Germany

15.01.26 – MAIN ROOM, Paris – France

06.03.26 – Circolo Magnolia, Milan – Italy

07.03.26 – Monk Club, Rome – Italy

The tickets will go live on Tuesday 25th

More about Nathan Fake

Between electronic fever and urban melancholy, “Briller dans la nuit”  captures the hazy poetry of youth adrift — broke, sleepless, and chasing euphoria through the glow of club lights. → Listen / Watch the music video

Frànçois & The Atlas Mountains paint the portrait of those fleeting years when nights stretch endlessly and music keeps the ghosts at bay. Frànçois Marry and Laure Sanchez trade verses over a pulsing, slow-burning rhythm, equal parts dance and reverie — interwoven with Emile Papandréou’s subtle electronic textures (UTO / InFiné). Somewhere between intimacy and abandon, the track celebrates that fragile spark that refuses to fade — a hymn to the dreamers who keep moving, who keep shining through the night.

Out November 12th, “Briller dans la nuit” is the second single from Halage, following “L’Homme à la Rivière”— Frànçois’ very own Nick Drake rework, released in September. The forthcoming album by Frànçois & The Atlas Mountains will be released in April 2026 on InFiné.

© Music Video, written and directed by Helio Pu
Featuring Calixte Broisin Doutaz and Christophe Paou
Label – InFiné
Management – Fortune MGMT
Executive Production – Fin Août début Septembre, Inès Riera and Henry Jean
Director of Photography – Chloe Terren
Music co-produced with Emile Papandreou
Mix, Master by Lorenzo Targhetta and Benoit Bel
Backing vocals : Laure Sanchez

More about Frànçois & The Atlas Mountains

Felix Antonio debuts on InFiné with the luminous folk-pop ballad “Waiting for the Sun to Rise”. → Listen

French label InFiné welcomes Felix Antonio with his first single, “Waiting for the Sun to Rise”,  a warm, intimate, and hopeful folk-pop ballad that captures the quiet power of staying close through solitude, doubt, and distance, until the first light of a new day appears.

Built on delicate layers of acoustic guitar and mandolin, supported by gentle bass and mid-tempo drums, and punctuated with subtle piano notes, the song unfolds into something both tender and solemn before opening into an airy, almost cinematic soundscape.

Antonio’s voice begins fragile and intimate, gradually rising into a refrain filled with luminous resolve “I’ll be waiting for the sun to rise.”
It’s a mantra of endurance and love that feels both deeply personal and quietly universal.

Echoing the emotional landscapes of Bon Iver, the romantic intensity of Tamino, the ethereal textures of Sombr, and the lyrical honesty of Phoebe Bridgers, “Waiting for the Sun to Rise” stands as a comforting and cathartic ode,  an invitation to believe in the silent strength of waiting together for the light.

More about Felix Antonio

NATHAN FAKE

InFiné is thrilled to announce its first collaboration with Nathan Fake, a cornerstone of UK electronic music. For over two decades, the Norfolk-born artist has fused the organic with the synthetic, transforming analogue machines and “ancient” software into vessels of raw emotional intensity.

From his breakthrough Drowning in a Sea of Love on Border Community to acclaimed releases on Ninja Tune and his own Cambria Instruments imprint, Fake has continually redefined the boundaries of techno, IDM, and rave psychedelia. His live shows are celebrated for their immersive sound design and ever-shifting rhythmic structures, a perfect fit for the Kantine’s intimate yet powerful setting.

COCO EM

Sharing the bill, Coco Em embodies the new wave of East African electronic music. A DJ, producer, and founder of the Nairobi-based womxn collective Sim Sima, she blends Afro house, kuduro, Lingala, and global club sounds into an electrifying fusion. Her debut EP Kilumi (2022) drew praise from Mixmag, Bandcamp, and Dazed, who hailed her as one of Africa’s most exciting electronic voices. On stage, her sets radiate joy and defiance, transforming the dancefloor into a space of celebration and empowerment.

Kantine am Berghain – 70 Am Wriezener Bahnhof;  10243 Berlin

Frieder Nagel unveils Who Knows, a striking new single featuring Daniel Brandt (Brandt Brauer Frick), where cinematic tension meets hypnotic electronics. → Listen

With “Who Knows,” Frieder Nagel continues his bold sonic journey, this time joining forces with Daniel Brandt: producer, drummer and co-founder of Brandt Brauer Frick. Together they deliver a track that pulses with unease and intensity: menacing Moog textures, sweeping strings, and sharp rhythmic tension conjure an atmosphere that feels both cinematic and deeply human.

The single arrives with two alternate takes: a concise radio edit and a beatless version highlighting Nagel’s meticulous sound design, revealing new layers of the composition’s hypnotic character.

Nagel and Brandt’s collaboration began in 2019 when Frieder directed Brandt’s “Flamingo” video for Erased Tapes. The pair later co-created a dance opera with Japanese choreographer Fukiko Takase, premiering at the Gluck Festspiele in Berlin. “Who Knows” captures that same creative spark: the meeting of Brandt’s restless, percussive drive and Nagel’s introspective melodic world.

“We’re total opposites,” says Nagel. “Daniel thrives on movement and rhythm; I live quietly in the woods, focused on introspection and melody. It’s that contrast that fuels the music.”

Following his acclaimed single “Do As I Please,” “Who Knows” marks another step in Nagel’s evolution  moving away from downtempo roots toward raw, forward-looking electronic landscapes that blur the line between club music and immersive sound art.

More about Frieder Nagel 

Born in Normandy in 2001, Felix Antonio was immersed in music from an early age, thanks to this music-loving father. He even joined a choir as a young boy.

This musical journey continued when he learned to play the clarinet, piano, and guitar, while his teenage years were influenced by the discovery of new wave, Britpop, and folk. At 17, he moved to Paris and formed the indie pop band Silk Skin Lovers. The group found success with several million streams worldwide before disbanding in 2023.

Just a few years older than Sombr, Felix (a devoted Phoebe Bridgers fan) is now stepping into the spotlight as a solo artist, revealing his full range as a singer-songwriter and performer. Early in 2024, he independently released his debut EP, Simpler Times.

Across seven tracks, he unveils a delicate and sensitive world, his voice recalling the sweet tones of Bon Iver and Tamino. These early songs quickly marked him as an exceptional talent, catching the attention of the InFiné label with the depth of his songwriting and the healing power of his melodies.

Together, they’ve embarked on a long journey, one that aims to share the restorative beauty of Felix Antonio’s music with the world.

More about Félix Antonio 

Julianna Barwick and Mary Lattimore share “Melted Moon”, the second single from their upcoming album ‘Tragic Magic’, which will be supported by live dates in North America, UK and Europe in 2026, also announced today. → Listen

More about Julianna Barwick et Mary Lattimore

Vanessa Wagner releases The Complete Piano Etudes, an ambitious new album with all of Philip Glass’ Etudes → Listen

“One of the most captivating and awe-inducing pianists in France” according to Libération, Vanessa Wagner has established herself as a major influence in the classical music scene, crossing borders and blazing inspiring trails. Alongside countless hours performing minimalist repertoires live, Wagner felt an urgent artistic calling: to record in full one of the great contemporary landmarks bridging the musical legacies of the 20th and 21st centuries, the twenty piano Études of Philip Glass.

About Philip Glass’ Etudes

The first ten Études grew from Glass’s wish to confront his own “technical shortcomings.”  In the second volume, Glass intensifies his exploration of musical language, venturing deeper into complex rhythmic structures and harmonic innovation. These Études seem envisioned for an imaginary virtuoso, a pianist capable of unlocking their full expressive potential. Indeed, Glass himself rarely performed the works from this second collection in public.

Pedagogical roots, a thread connecting Wagner to Glass

The thread connecting Wagner to Glass emerges from shared philosophical and pedagogical roots. In his memoir Words Without Music, Glass reflects upon Nadia Boulanger’s teaching in Paris. Boulanger instilled in her students a rigorous yet open-minded discipline, one that embraced innovation while honoring classical tradition. It’s this same tension between structure and freedom that Wagner now channels, transforming Glass’s Études into a living dialogue between past and present.

A new turning point for Vanessa Wagner

“My relationship to these Études is continuously evolving, shaped by the ebb and flow of my personal life, my shifting moods, and my accumulated experience performing them over the years,” Wagner reflects. “These pieces become lifelong companions, growing, maturing, and resonating ever more deeply within me.” For Wagner, who had previously recorded several Études individually, this complete cycle marks a new turning point. Capturing the full breadth of Glass’s work has revealed its radical coherence and emotional scope, offering her both a deeper understanding of his language and a renewed sense of artistic clarity.

Tour dates

Order the 4 LP box set

More about Vanessa Wagner

Back in 2006, the French label InFiné started stitching unlikely threads between classical music and club culture, laying early groundwork for what would come to be called “new-classical” — a “new” that felt hybrid and forward-looking rather than the narrower “neo.” The wager was simple: treat the studio like an instrument and let composition, production, and performance bleed into each other.

By early 2007, kindred spirits at Erased Tapes were formalizing a similar impulse in the UK, crystallizing experiments that had flickered across ECM releases and artists like Aphex Twin, Philip Glass, and Brian Eno. The vision also nods to Glenn Gould, the Canadian pianist who famously embraced the studio’s power to do what the concert hall could not, a perfectionism that quietly rewired modern recording practice.

InFiné’s first catalog statement set the tone. Fresh from winning the Orléans International Piano Competition, Francesco Tristano recorded his first “non-classical” album for the label: a piano-centered set elevated by Murcof’s sonic alchemy and folding in Autechre, Pascal Dusapin, Jeff Mills, and Tristano himself.

Two years later, in October 2008, the label staged a landmark at the Philharmonie de Paris: Detroit icon Carl Craig with the orchestra Les Siècles under François-Xavier Roth, Tristano’s arrangements, and the discreet touch of Berlin techno pioneer Moritz von Oswald, a bridge between symphonic muscle and machine pulse.

Since then, InFiné has kept walking that ridgeline with artists such as pianists Bruce Brubaker and Vanessa Wagner, cellist Gaspar Claus, percussionist Lucie Antunes, producers Rone, Arandel, Murcof, Labelle, and more recently Japan’s Kaito. In June 2021, Rone’s repertoire, arranged by Romain Allender, took over Lyon with a 90-piece orchestra and choir; the LOOPING project has since sold out philharmonic halls across France and Europe.

In 2019, the label launched a singular series with Paris’s Musée de la Musique, inviting contemporary musicians to “play” the museum’s historic instruments — not as relics, but as living tools. After albums devoted to Bach and to guitars, new chapters focused on harps and the oud are slated for 2025 and 2026. In 2024, InFiné also teamed with IRCAM on a program that fuses research and art: Murcof inaugurates the line with a 360° project spanning an album, ambisonic live performance, and soon, VR.

InFiné’s third and most recent collaboration with Musée de le Musique was for Mary Lattimore and Julianna Barwick‘s upcoming project, continuing a shared mission to bridge historical instrumentation with contemporary innovation.  “We were so lucky to have access to this experience. There was a lot of reverence, working with people with such warmth and enthusiasm, bringing these instruments into a modern context, literally taken off the shelves of the museum,” says Lattimore. “We wanted to honor the past while making music that we feel is a true expression of ourselves,” adds Barwick.

On October 10th, Vanessa Wagner will release Complete Piano Etudes (Philip Glass) as a special 4-LP box set, a format that underscores its significance as a cornerstone for both the pianist and InFiné. Each Étude forms a distinct musical world, complete in itself. But heard as a whole, the cycle unfolds with remarkable depth: motifs and resonances weave through the pieces, revealing a vast emotional architecture where each work amplifies the others, enriching the collection’s overall meaning.

Nearly twenty years in, InFiné remains refreshingly uninterested in borders — geographic or stylistic. True to its roots yet restless by design, the label continues to operate as a laboratory where innovation serves listeners who like their music curious, porous, and resolutely modern.

—

FR

En 2006, le label français InFiné établit des connexions inédites entre les musiques classiques et les musiques électroniques, devenant le précurseur d’un genre désormais connu sous le nom de « new-classical » (« new » plus hybride et innovant préféré à un « néo » plus limité).

Cette audace ouvre de nouveaux horizons dans la création sonore, influençant autant la production que la composition et l’interprétation. Début 2007, en Angleterre, le label Erased Tapes suit une voie similaire, structurant les expérimentations jusque-là éparses de labels comme ECM ou d’artistes tels qu’Aphex Twin, Philip Glass et Brian Eno. Sans oublier le visionnaire pianiste canadien Glenn Gould qui considérait le studio comme un instrument à part entière, offrant des possibilités impossibles en concert et dont le perfectionnisme a influencé les pratiques modernes de production sonore.

Le premier album du catalogue indiquait la direction prise. Francesco Tristano lauréat du Concours international de piano d’Orléans enregistre chez InFiné son premier album « non classique ». Autour d’un piano, au son sublimé par le magicien Murcof, se retrouvent des pièces d’Autechre, Pascal Dusapin, Jeff Mills ou Tristano lui-même.

2 ans plus tard, en octobre 2008 la scène de la Philharmonie de Paris accueille le premier grand événement live de la vie du label. Un projet, entamé quatre ans auparavant, réunit l’orchestre Les Siècles sous la direction du chef François-Xavier Roth et Carl Craig. Les œuvres du légendaire producteur de Detroit sont arrangées pour l’orchestre par Francesco Tristano, avec la complicité de l’Allemand Moritz Von Oswald, pionnier de l’arrivée de la techno à Berlin.

InFiné n’a cessé de suivre cette ligne de crête avec des artistes comme les pianistes Bruce Brubaker ou Vanessa Wagner, le violoncelliste Gaspar Claus, la percussionniste Lucie Antunes, les producteurs Rone, Arandel, le mexicain Murcof ou Labelle ou plus récemment le japonais Kaito.

Juin 2021, le répertoire de Rone est interprété par un orchestre de 90 musiciens et un chœur à Lyon. Ce projet, porté par les arrangements de Romain Allender, a réuni sur scène l’Orchestre National de Lyon et Rone. Depuis, Looping triomphe à guichets fermés dans les philharmonies en France et en Europe.

En 2019, InFiné inaugure une collection unique dans le monde qui invite des musiciens contemporains à « jouer » les instruments du musée national de la musique (à la Philharmonie de Paris). Deux premiers disques ont été édités permettant à des artistes vivant de créer et faire vivre des instruments exceptionnels tant par leurs histoires que leurs qualités musicales. Après le répertoire de Bach et les guitares, deux opus sont en cours de préparation pour 2025 et 2026 l’un autour des harpes l’autre autour du oud.

Dans ce même esprit, en 2024  InFiné a donné naissance avec l’IRCAM à une série qui contribue à renforcer la visibilité internationale de cette précieuse “exception culturelle française”, où recherche et art ne font qu’un. Premier volume avec Murcof et un projet 360° autant album, que performance audiovisuelle en ambisonie et bientôt projet en VR.

La troisième et plus récente collaboration d’InFiné avec le Musée de la Musique concerne le projet à venir de Mary Lattimore et Julianna Barwick, poursuivant une mission commune : faire le lien entre l’instrumentation historique et l’innovation contemporaine. « Nous avons eu énormément de chance de pouvoir vivre cette expérience. Il y avait beaucoup de respect et de bienveillance dans ce travail avec des personnes passionnées, qui nous ont aidées à faire revivre ces instruments dans un contexte moderne, littéralement sortis des étagères du musée », explique Lattimore. « Nous voulions honorer le passé tout en créant une musique qui soit une véritable expression de nous-mêmes », ajoute Barwick.

Le 10 octobre, Vanessa Wagner sortira Complete Piano Etudes (Philip Glass) dans un coffret spécial 4 vinyles, un format qui souligne l’importance de cette œuvre, à la fois pour la pianiste et pour InFiné. Chaque Étude forme un univers musical distinct, complet en soi. Mais écouté dans son ensemble, le cycle déploie une profondeur remarquable : motifs et résonances s’entrelacent d’une pièce à l’autre, révélant une architecture émotionnelle vaste, où chaque œuvre amplifie les autres et enrichit la signification globale de la collection.

Depuis près de 20 ans, InFiné se distingue par sa liberté avec les frontières musicales. Fidèle à l’héritage historique, InFiné s’affirme comme un laboratoire où innovation et créativité se conjuguent au service des auditeurs curieux. À travers ses dialogues audacieux, InFiné dépasse les frontières, qu’elles soient géographiques ou stylistiques, pour repousser les limites de l’expérience musicale.

Léonie Pernet unveils Acid Niger (Gael Rakotondrabe Rework), a sensitive and intimate reinterpretation of one of the standout tracks from her 2025 album Poèmes Pulvérisés.

→ Listen

The piece distills Leonie Pernet’s art of nuance into a hushed reverie: melancholic, reflective, sentimental, and deeply emotional. Guided by the lyric “We dream of love / a temple for the misfits”, she sketches a sanctuary for outsiders and dreamers, a fragile refuge far from violence.

For this new version, she turned to longtime collaborator Gael Rakotondrabe (known for his work with CocoRosie, Anohni, David Byrne, and Woodkid). With finesse and restraint, he reshapes the electronic textures of the original, reveals its hidden harmonics, and leads the song toward a luminous conclusion: a solo piano coda, tinged with jazz and marked by a quiet but undeniable intensity. The result is not only a rework, but a dialogue between two artistic voices that expand the emotional landscape of the original piece.

The release is accompanied by an innovative video directed by Delphine Diallo, another trusted collaborator of Leonie. Crafted using AI-generated images, the video unfolds like a visual poem, blending more than 60 animated tableaux that evoke sacred landscapes of Niger, imagined somewhere between reality and dream. Each frame is meticulously constructed, immersing the viewer in a surreal and powerful cinematic experience that mirrors the themes of the song.

More about Leonie Pernet

Longtime friends and collaborators Julianna Barwick and Mary Lattimore, two of ambient and experimental music’s most revered voices, unite their singular talents on an ethereal new single, “Perpetual Adoration.”

→ Listen

More about Julianna Barwick et Mary Lattimore

A refined continuation of their singular world, O’o’s brand new EP More Wishes, Less Bones features five new original songs and two beautifully reimagined covers, offering a deeper dive into the duo’s poetic and dreamlike sensibilities.  → Listen

On this EP, the singer and lyricist Victoria Suter’s natural affinity with la chanson française meets with Mathieu Daubigné’s artfully-crafted electronica. O’o take us on a trip into their thoughtful, idiosyncratic world, where plant-like organisms glisten and catch the eye (Lichen) and estranged former lovers turn up out of the blue and remind us how easy it is to become distant from the people who were once so important (Stranger). Maybe, too, explores a suspended moment in time just before one takes the plunge in a relationship as things get more serious.

The duo tackle the Great French Songbook, including La Mésange, a deep cut from Françoise Hardy: “The melody feels like a bird in flight – an animal dear to us!” says Victoria. “Unpredictable, unsettling, complex.” Qui me délivrera? meanwhile is an obscure number by the forgotten chanteuse Nicole Louvier.

The result is an unmistakable addition to the evolving O’o canon, a collection that not only deepens their signature blend of intimacy and experimentation but also affirms their place as one of the most distinctive voices in today’s music landscape.

More about O’o

After swimming upstream with Âge Fleuve, François & The Atlas Mountains unveils a new tributary of his universe: “L’Homme à la Rivière” featuring Yasmine Hamdan → Listen

A pivotal single, following in the wake of Âge Fleuve, this track is a creative reimagining in French of “River Man”, the cult jewel by Nick Drake, first released in 1969 on his debut album Five Leaves Left. Though his work remained confidential until his death, Nick Drake is now recognized as one of the major and timeless figures of English folk.

François offers a poetic and contemporary translation, where themes of freedom, solidarity, and inner exploration are revealed in French. For this journey, he invited Lebanese singer Yasmine Hamdan, pioneer of the independent Middle Eastern scene with Soapkills and internationally acclaimed for her albums Ya Nass (2013) and Al Jamilat (2017).

“Her voice, full of languid arabesques, makes me think of a flowing river. Here, she helps reveal a little more of the identity of this strange character in Nick Drake’s original song. This River Man – who is he? A guide? A sage? A madman? The mystery remains. I like to think he is a great contemplative.” adds François.

More about Frànçois & The Atlas Mountains

Vanessa Wagner releases “Etude No.8” from her new upcoming album “The Complete Piano Études” along with the first installment of the album → Listen

”After more than three decades dedicated to interpreting the classical canon, discovering Philip Glass’s music has, in a profound sense, reshaped my identity as a musician”, confesses Vanessa Wagner.

Vanessa Wagner’s interpretation of Philip Glass’s “Étude No. 8” captures the romantic introspection and reflective depth inherent in Glass’s minimalist masterpiece. Known for her boundary-crossing collaborations and sensitive piano artistry, Wagner brings emotional clarity and nuanced expression to this elegant and medium-tempo étude.

Her rendition is a heartfelt exploration of Glass’s profound musical language, balancing technical finesse with tender emotional resonance. Following acclaimed performances and recordings of contemporary minimalist repertoire, including celebrated collaborations with artists like Murcof and Rone, Wagner once again proves her exceptional ability to uncover the poetry at the heart of Glass’s work.

You can now listen to the first installement of the album, the full recording to be released on 10/10.

Tour dates

Pre-order the 4 LP box set

More about Vanessa Wagner

Today, Murcof unveils Twin Color (Extended Play No. 2), the EP that continues to push the limits of the Twin Color soundscape. → Listen 

More about Murcof 

“Maybe”, the second single from O’o’s upcoming new album “More Wishes, Less Bones” is now out.

→ Listen

With More Wishes, Less Bones, O’o offers a captivating new album that unfolds with five poetic and dreamlike tracks, along with two elegantly reimagined covers. A new chapter in their musical exploration, deeply connected to the singular universe of their previous work.

“Maybe” explores a suspended moment in time just before one takes the plunge in a relationship as things get more serious. The pulsating dance music compliments the
narrative, with thoughts swirling around the head like a disco ball.

More about O’o

Vanessa Wagner releases “Etude No.2” from her new upcoming album → Listen

”After more than three decades dedicated to interpreting the classical canon, discovering Philip Glass’s music has, in a profound sense, reshaped my identity as a musician”, confesses Vanessa Wagner.

Vanessa Wagner unveils her luminous interpretation of Philip Glass’s Etude No. 2, a work built on gently cascading arpeggios and infused with meditative depth. Her performance brings out the piece’s reflective beauty—at once expansive, intimate, and quietly romantic.

The official video, directed by Laurent Pernot, weaves together archival amateur films from various eras and regions, unified by their shared evocation of joy and freedom. These fleeting scenes—ephemeral yet timeless, personal yet universal—emerge from the smoke and dissolve like memories lost to time.

Watch the video

Tour dates

Pre-order the 4 LP box set

More about Vanessa Wagner

Mexican composer and producer Fernando Corona, aka Murcof, returns with new single “Like Halloween Part II” and announces new EP

→ Listen

→ Pre-save the new EP 

Murcof is following up on his latest album “Twin Color”, with a new addition to his repertoire, “Twin Color (Extended Play No. 2).”

In “Like Halloween Part II”, the first single, Murcof crafts his own eerie soundtrack in two movements, inspired as much by horror cult classics as by Kubrick’s epic universe. It’s an anxious yet compelling symphony of technological abstraction, resonating somewhere between shadowy dance floors and cerebral sound installations.

More about Murcof