Arandel unveils “L’Heure du loup (Edit)” → Listen

With “L’Heure du loup (Edit)”, French composer and producer Arandel shifts the Baroque language into a resolutely contemporary electronic form.

Born from an improvisation on a positive organ, the track unfolds between harpsichord, strings and winds, analogue synthesizers, spectral choirs and the syncopated drums of Louis Delorme. Acoustic timbres gradually emerge and merge into electronics, shaping a singular baroque-progressive soundscape at the crossroads of chamber music and experimental electronica.

“L’Heure du Loup” refers to the darkest hours before dawn, when sleep is deepest and dreams are most intense. The track inhabits this in-between space between night and day, sleep and waking, presence and disappearance.

Marina Dard captures this duality in the music video, created in 2D animation around the figure of the wolf. Its visual language is built around two shades deep black and immaculate white which echo one another across both the characters and the setting, as if form and background had become a single material.

Three figures cross the video: the wolf, the bird and a faceless woman, moving through the images to the rhythm of a dark journey that draws the listener in and never lets go.

More about Arandel

Rone releases the music video for “Megaptera Novaengliae” and a remix by Nathan Fake → Listen

Taken from Rone’s latest album, “Megaptera Novaengliae” returns through a contemporary lens with a new music video and a two-track drop featuring a remix by Nathan Fake.

The video draws on previously unseen footage from Valentin Paoli’s film La Baleine et le Musicien, moving between the surface and the underwater world: a zodiac seen from beneath the water, divers and freedivers, and the striking encounter with a whale and her calf.

Through these images, Rone invites viewers to see the world from the whales’ perspective and feel how they perceive our presence in their underwater environment. The video also pays tribute to the divers and freedivers who accompanied the film’s journey, at the intersection of nature discovery and artistic creation.

Carried by synth layers and a slow, hypnotic pulse, “Megaptera Novaengliae” has an elusive, almost soothing quality. Born from Rone’s time at sea off the coast of Réunion Island, the track captures a moment when music became less a way of understanding whales than a way of listening and observing.

On the remix, Nathan Fake takes the track somewhere more visceral, recalling the raw, trance-infused electronics of his early Border Community releases. His version pushes Rone’s slower pulse forward with distorted synths and an insistent rhythm.

More about Rone

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Vanessa Wagner releases new EP « Philip Glass: Piano Etudes Versions » → Listen

Following Philip Glass: The Complete Piano Etudes, released in 2025, Vanessa Wagner hands the baton to a new generation of composers and producers from the international electronic and experimental scene, who reinterpret four of Philip Glass’s twenty Piano Etudes.

With this EP from InFiné’s “Versions” series, Glass’s music, which resonates deeply within the world of contemporary electronic music, is revisited through four radically different interpretations. Aho Ssan and Carmen Villain reinterpret Etude No. 20, respectively transforming it through a web of sound manipulations and a more snowy, crystalline approach. Tauceti offers a version of Etude No. 2, blending melancholic arpeggios with visceral pulses, while Cucina Povera transforms Etude No. 10 through her vocal experiments and loops.

Released in 2025, Philip Glass: The Complete Piano Etudes received widespread critical acclaim in France and internationally, earning Vanessa Wagner a nomination at the Victoires de la Musique Classique. With Philip Glass: Piano Etudes – Versions, InFiné continues Wagner’s work around Philip Glass’s Piano Etudes, opening up a new electronic and experimental territory.

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InFiné Electonica → Listen to the official playlist

For most of us, the term “electronica” evokes a golden age: a time when mostly independent labels shifted the focus of club music towards home listening. This “reasonable”, “intelligent” or “cerebral” form of dance music, with its interest in science and contemporary art, was built around iconic albums and opened up a new way of experiencing music in everyday life.

Over time, this broad, mostly instrumental genre learned to embrace vocals. Synthesizers and drum machines began interacting with acoustic instruments, paving the way for more organic sounds. From London to Berlin, Vienna and Paris, electronic music gradually found its way into our homes and daily journeys, bringing new colours and offering contemplative escapes.

InFiné Electronica reflects these influences, as well as the diversity and openness of the label. The playlist spans nearly two decades of InFiné’s catalogue, exploring the edges of new classical, cerebral club music, experimental music, synth-pop and post-dubstep.

It brings together the fragile productions of Clara Moto and Composer, the nocturnal excursions of Downliners Sekt and Frieder Nagel, the dystopian landscapes of Murcof and Deena Abdelwahed, the airy flights of Nathan Fake and Kaito, and the industrial, forest-like mechanics of Toh Imago.

This tension between body and mind lies at the heart of Rone’s approach, whose music is an invitation to escape. Arandel, long anonymous and initially established as an anti-DJ, reshaped organic and avant-garde IDM through his signature work In D. Cubenx reconciled guitars and synthesizers, abstract textures and reptilian melodies on Elegiac, while Labelle brought Creole culture into Western electronic music through the instruments of the Indian Ocean and maloya vocals.

More recently, Basile3 has developed a playful, hybrid and neurotic vision of contemporary electronic music, while Aarp, with Propaganda, delivers a darker cocktail of sharp-edged bleeps and vintage synth layers.

Through InFiné Electronica, nearly twenty years of releases come together around a shared idea: music made for both the legs and the mind, where the boundaries between experimentation, club culture and listening remain deliberately porous.

Following his debut album Tancade, Gaspar Claus releases his second album CELLS on InFiné → Listen

Created in a custom-built studio in Banyuls-sur-Mer with producer Basile3, CELLS is an album shaped by frictions and breathing spaces, between intimate memory, desire, and vital energy. Driven by a fertile tension between the cello and its digital transformation, it unfolds a shifting soundscape where organic intensity meets electronic metamorphosis.

Since the early 2010s, Gaspar Claus has been developing a singular, primarily instrumental language at the crossroads of several musical worlds. His contemporary chamber music is deeply influenced by the American minimalist movement and subtly infused with echoes of traditional music from the Mediterranean basin.

The title CELLS refers to “cell” entities that can be both autonomous and connected. For Gaspar Claus, each track is therefore “a musical cell, both autonomous and connected to the others.” The word also deliberately echoes “cello”, the instrument at the source of almost every sound on the album.

The cello sounds have been processed, transformed and sometimes turned into more synthetic, electric or percussive sounds. The electronic elements thus remain organic, their raw material always originating from the cello. Produced by Basile3 and mixed by David Chalmin, the album moves continuously between tension and suspension, desire, intimate memory and vital energy.

From “World of Idols” to “Cupidon”, featuring the voice of Matt Elliott, and the more electronic pulses of “Ecstasy”, CELLS constantly shifts between acoustic sound and digital transformation, memory and metamorphosis. Its ten tracks form a coherent, deeply organic whole, carried by the conviction that music plays a fundamental role in our lives.

More about Gaspar Claus

Felix Antonio releases his first EP « Felix Antonio & The Sea » → Listen

On September 18, 2026, Felix Antonio, the latest addition to the InFiné roster, will release Felix Antonio & The Sea, a seven-track indie folk EP. This debut project marks an important step in the young artist’s career, following his selection this year for the Chantier des Francofolies de La Rochelle.

The sea is the common thread running through the seven tracks: a metaphorical, regenerative figure and a source of hope in the face of an oppressive world. It becomes a refuge to reconnect with the essentials, the elements, the great outdoors and a sense of simplicity.

Inspired by Sufjan Stevens, James Blake, and Crosby, Stills, Nash & Young, the EP combines bright, timeless songwriting with a modern approach, shaped by precise sound textures, subtle field recordings and an attention to detail characteristic of the InFiné universe.

Felix Antonio & The Sea also marks a personal turning point. Felix Antonio reflects on his transformation, his detachment from certain patterns and attachments, and the end of a chapter marked by his project Silk Sin Lovers. A transition towards a freer, more sincere and sensitive expression.

While the lyrics retain a certain sense of melancholy, the harmonies open up and the compositions tend towards major keys. For Felix Antonio, optimism has become a political act, and rejecting cynicism an act of resistance.

More about Felix Antonio

Vanessa Wagner announces a new EP with the first extrait Etudes No. 2 (Tauceti Version) → Listen

Few have ventured to record Philip Glass’s twenty piano études in their entirety. Even fewer have attempted to remix them.

One year after the release of Vanessa Wagner’s Philip Glass: The Complete Piano Etudes, Piano Etude Versions opens a new chapter in her ongoing dialogue with the composer. Due October 1 on InFiné, the EP brings together four distinctive voices from today’s experimental electronic scene — Aho Ssan, Carmen Villain, Tauceti and Cucina Povera — each invited to radically reinterpret Wagner’s recordings.

The first extrait of the EP comes from Tauceti’s reinterpretation of Etude No. 2 where she takes the pastoral and nostalgic character of Glass’s composition into darker, more visceral territory.

Lyon-based artist Tauceti has emerged as a distinctive talent on the contemporary techno-ambient scene. As a producer, she explores the more obscure territories of lustrous techno and hazy ambient, with releases on Denovali and work drawing on her Middle Eastern and Asian heritage. Equally at home behind the decks, her DJ sets reflect the immersive, atmospheric quality of her productions.

More about Vanessa Wagner

Felix Antonio will be releasing his debut EP « Felix Antonio & The Sea » on 18/09

Felix Antonio, the latest addition to the InFiné roster, will release Felix Antonio & The Sea, a seven-track folk indie EP, on September 18. This debut project marks a key milestone in the career of this young artist, who was selected for the Chantier des Francofolies de La Rochelle this year. The sea is the common thread of the seven tracks on the EP: a metaphorical figure, regenerative, and a source of hope and renewal in the face of an oppressive world. It is a refuge where one can reconnect with the essentials, with the elements, with the great outdoors, and with a sense of simplicity.

Four singles from the EP are already out: “Waiting for the Sun to Rise,” “tired,” “Rolling Down the Road,” and “when you’re leaving.” Each one showcases Antonio’s bright, timeless songwriting.

More about Felix Antonio

Nathan Fake releases “Caldera”, new single from upcoming album → Listen

After Evaporator, his seventh album released last February, Nathan Fake returns with “Caldera,” the first single from his upcoming self-titled EP, due October 23, 2026 on InFiné.

Written at Christmas 2025, “Caldera” explores a more wild, nocturnal and intense side of the artist’s universe. Its unstable rhythm, clattering percussion and off-kilter kicks create a constant sense of tension, like molten matter ready to erupt. Slipping synths and strange textures reinforce the feeling of a volcanic landscape in motion.

Across the four-track EP, Nathan Fake continues the experimentation he began on Evaporator. Blending electronica, techno and acoustic textures, “Palau,” “GongGong” and “Slow Yamaha Dub” take this exploration in psychedelic, soothing and more abrasive directions.

“Caldera” is out August 25, 2026, ahead of the full EP release on October 23, 2026 via InFiné.

More about Nathan Fake

Gaspar Claus releases his third single from his upcoming album CELLS → Listen

Gaspar Claus releases his new single “Colaïdo”, a piece shaped by memory and quiet contemplation. Blending acoustic cello with subtle electronic textures, the track drifts between intimacy and wide-open spaces, evoking the gentle motion of the sea.

Colaïdo takes its name from a small sailboat that Gaspar Claus’ father impulsively bought when he and his sister were teenagers. It was aboard this boat that he first learned to sail, and the composition carries the imprint of those formative moments. Suffused with nostalgia, the piece transforms a deeply personal memory into a contemplative landscape.

More about Gaspar Claus

Felix Antonio releases “when you’re leaving”, new single ahead of debut EP → Listen

The latest signing to InFiné, Felix Antonio releases “when you’re leaving”, a new single available now. The track offers the final preview of his debut EP, Felix Antonio & The Sea, set for release in September.

One of the rising names on the French indie folk scene, Felix Antonio delivers a heartfelt and luminous song that explores the quiet disorientation left in the wake of a breakup. Driven by a memorable piano motif and cinematic arrangements, “when you’re leaving” reveals a new dimension of his musical universe.

Through honest songwriting and understated production, Felix Antonio transforms a deeply personal experience into a universal reflection on love, absence, and emotional resilience.

Following the release of Tired, Waiting for the Sun to Rise, and Rolling Down the Road, this new single further confirms his talent for capturing human emotions with sincerity and grace.

“when you’re leaving” is available now on all streaming platforms.

More about Felix Antonio

InFiné Remixes → Listen to the official playlist

InFiné was born out of a desire to build new bridges between musical worlds, while still keeping one foot firmly on the dancefloor.

From its very first release, Francesco Tristano reinterpreted Derrick May’s Strings of Life as a solo piano version, while Apparat offered his own remix-driven vision, setting in motion a constant back-and-forth between head and feet that has continued ever since.

Nearly twenty years later, the list of artists the label has collaborated with reads like a map of the musical affinities that have shaped its history: Daniel Avery and Michael Mayer, Robert Hood and Juan Atkins, VTSS, Clark, 33EMYBW, Shed, Laurence James and Ben Klock, KMRU, Laurent Garnier and Malibu, Ital Tek and DJ Plead, Eris Drew or Prins Thomas… Few labels can boast of bringing together so many sensitivities, generations, and aesthetics around the practice of the ‘remix’.

We continue to approach remixing with consistency, because for artists it is an opportunity to share their universe with people they admire, to confront their sonic signatures, and sometimes even to open the door to longer-term collaborations. The remix is a space of surrender in which a work ceases to belong solely to its author and becomes a shared playground.

One of the most striking examples remains Carl Craig’s remix of Francesco Tristano’s The Melody. While Tristano was taking part in the Versus project at the Cité de la Musique in 2008, writing orchestral arrangements of key Carl Craig tracks, the Detroit producer—then at the height of his remixing powers—delivered his own version of the piece. The result quickly went beyond the scope of a simple reinterpretation: championed by DJs worldwide, the remix became a classic in its own right, to the point where the track is now as closely associated with its remixer as with its original composer.

For the label’s team, it is also an opportunity to meet artists we admire, to share visions not only of music but of the world itself.

Some of the most striking surprises come from wide leaps. When Holy Other transforms Indigo by O’o into a haunted electronica apparition. Or when John Talabot completely inverts Aufgang’s Channel 7, layering it with Balearic-tinged vintage textures and a resolutely DIY spirit that made his debut album so distinctive. Or when CFCF injects an irresistible pop energy into Basile3’s You Stole the Summer. In these cases, the remix reinvents the original track and opens it up to a new audience.

Other remixers prefer to work along the edges, at the crossroads of subgenres, highlighting highly specific know-how tied to the history of electronic music, but also to academic or improvised traditions. When the legendary Akufen takes on Philip Glass’s Metamorphosis as performed by Bruce Brubaker, he reveals an unexpected dimension where jazz seems to merge with the sacred. Clara Moto and Tyler Pope, meanwhile, shift Rone’s Belleville into the realm of buoyant, escapist nu-disco—a distinctive piece in the InFiné catalogue that has aged remarkably well.

Remixes have often served as a springboard for discovering new artists. This was the case with Downliners Sekt through their version of Cubenx’s These Days. Kaito delivered a luminous take on Rone’s Motion, offering a perfect entry point into the Japanese producer’s sensitive universe. More recently, Toh Imago and Nathan Micay transformed La Napoule into a visceral journey, where harmonies emerge through the cries of seagulls.

And then there are remixes that push a track so far it seems to belong to another world entirely. Such as Abul Mogard’s reworking of Carl Craig’s iconic At Les—still allegedly a retired Serbian man—where the original nearly vanishes behind an entirely new sonic architecture.

Expect some very beautiful surprises on upcoming EPs from Vanessa Wagner, Nathan Fake, Rone, as well as Julianna Barwick and Mary Lattimore. In the meantime, we invite you to discover or revisit our InFiné Remixes playlist, featuring around fifty tracks available on streaming platforms, along with a digital pay-what-you-want compilation and a selection of archival 12” records on our dedicated Bandcamp page.

Rone is back with his new album « Megaptera » → Listen

Rone‘s new album Megaptera, began with a mystery. In 2020, videos of solitary sailors playing Rone’s tracks at sea began to appear online. In them, cetaceans— dolphins and whales—seemed to emerge whenever his music was played in open waters around the world. As these events were repeated by other sailors across the globe, what first seemed amusing soon raised questions for the introspective composer. Why? Was it pure coincidence, or was there something in his music that provoked a reaction from these animals? Could they actually enjoy it? Or, on the contrary, might these sounds disturb them? Documentary filmmaker Valentin Paoli, who is passionate about marine mammals, was equally intrigued by these videos. He suggested that Rone recreate the experience himself off the coast of Réunion Island.

Concerned about respecting the marine environment, they decided to surround themselves with specialists to carry out the project under the best possible conditions. Ethologists, bioacousticians, environmental engineers, and conservation groups joined the team. Conceived during this cinematic and naturalist adventure, the album Megaptera was composed at sea, off the coast of Reunion Island. The film The Whale and the Musician documents the creation of his new album within this exceptional context.

More about Rone

Megaptera: Ten listening sessions in your favorite record stores across France

In partnership with Big Wax, we will host a series of listening sessions across France for Rone’s upcoming album Megaptera, out 12/06. Presented in carefully selected record stores, these sessions will include a few surprises, including invitations to The Whale and The Musician, as well as CDs, vinyl, and other items.

10/06 – Wednesday

CLERMONT-FERRAND — Vachement Bien

4 Rue Terrasse, 63000

11/06 – Thursday

STRASBOURG — 33 & Co

49 Grand’Rue, 67000

MÂCON — La Disquerie

54 rue Franche 71000

LYON —Tiki Vinyl Store

19 r René Leynaud, 69001

BREST — Dialogues Musique

52, rue Jean Macé 29200

LA ROCHELLE — Gibert Joseph

 27 bis Quai Maubec, 17000

12/06 – Friday

RENNES — Blind Spot Disquaire

36 r Poullain Duparc, 35000

NANTES — Mélomane

2 Quai Turenne 44000

PARIS — Balades Sonores

8 rue Pierre Picard 75018

BIARRITZ — Aberdeen Records

3 Rue du Helder, 64200 Biarritz

Please check with your local record store for more details.

Gaspar Claus releases “Désir des astres” → Listen

Gaspar Claus presents his new single “Désir des astres”. Drawing from contemporary classical, cinematic ambient and electroacoustic music, the track unfolds through low-end pulses, processed resonances and shifting textures.

This theme comes from music originally written for a documentary. It was ultimately not selected: the cello often carries a gentle, melancholic quality that is characteristic of it, and this weighed the film down somewhat. Gaspar Claus therefore unearthed it, reworked it, and pushed it towards an almost epic boldness, giving new scope to this initially discarded material.

The title of the piece also plays with the etymology of the word “désir”, which shares the same root as the word “sidéral”, placing the track in a resonance that is both intimate and cosmic.

More about Gaspar Claus

Nathan Fake unveils Hypercube, a powerful new remix EP → Listen

Following the highly anticipated release of his latest album Evaporator in February 2026, the EP expands the world of “Hypercube”, which quickly emerged as one of the record’s standout moments. Driven by a relentless and hypnotic synth line, the track bridges the golden age of rave with the explosive energy of modern club anthems. Both nostalgic and forward-looking, “Hypercube” once again showcases Nathan Fake’s mastery in balancing tension, melody and physical intensity.

Conceived as an extension of this constantly evolving sonic universe, the EP features four reinterpretations of the track by Nathan Fake himself, alongside, and Belgian collective.

Nathan Fake delivers a reworked and intensified version of “Hypercube”, designed for maximum dancefloor impact. Reflecting the raw energy of his recent live sets, this new interpretation amplifies the track’s mutant techno dimensions and reinforces its central role in the producer’s evolving sound.

Meanwhile, Basile3 reshapes the track into a robotic and glitch-driven landscape, blending vaporous textures, sharp percussion and spacey tones. Mac Seldom deconstructs and rebuilds the track around distorted basslines and vintage electro influences, resulting in a version that feels both strange and addictive. Finally, Tukan reconnects “Hypercube” with its rave and trance roots through massive basslines, cold kicks and ethereal layers designed for festivals and large-scale dancefloors.

Through this collection of remixes, Nathan Fake opens new gateways into the ever-expanding universe of “Hypercube”, offering DJs and electronic music lovers a series of immersive and powerful club-ready versions.

More about Nathan Fake

Felix Antonio unveils new single “Rolling Down the Road” → Listen

The latest signing to InFiné and selected for Les Chantiers des Francos 2026, Felix Antonio continues his rise with the release of his new single, “Rolling Down the Road.”

With this luminous folk track, Felix Antonio captures the magic of a holiday memory a romantic encounter, a fleeting summer love both intense and ephemeral. Tender and wistful, the song also carries the promise of a life that could unfold together, somewhere between dream and reality.

Suspended between past and future, nostalgia and wonder, “Rolling Down the Road” unfolds with a warm and timeless atmosphere. Driven by heartfelt songwriting and understated instrumentation, the track inspires the desire to hit the road surrounded by the people you love, with the feeling that anything is possible.

With this new single, Felix Antonio confirms his talent for crafting sincere and evocative songs that transform fleeting moments into universal memories.

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Rone unveils “Zodiac”, new single from upcoming album Megaptera → Listen

With Zodiac, Rone continues the sonic exploration initiated with his forthcoming album Megaptera and unveils a vibrant second single, balancing earthly pulse and marine breath.

Inspired by a sea outing aboard a zodiac boat with the Al Lark association, which studies dolphins off Brittany’s Emerald Coast, the track stems from a pivotal experience for the artist: the unsettling feeling that certain cetaceans seemed to react to his music. A moment of curiosity that became the starting point for the entire project.

Driven by luminous synthesizers and immediate melodic energy, Zodiac reconnects with Rone’s signature immersive electronic sound while opening new sonic horizons. A pivotal piece within the upcoming album, the track bridges its organic electronic landscapes with more cosmic textures.

The single also extends the narrative of La Baleine et le Musicien, Valentin Paoli’s documentary tracing the genesis of this artistic and scientific journey born at sea where musical creation becomes a tool for listening to the living world.

With Zodiac, Rone confirms an ambitious and deeply inhabited return, where sonic exploration becomes a way of resonating with the natural world.

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Gaspar Claus unveils “World of Idols (Edit)” → Listen

With World of Idols (Edit), Gaspar Claus opens a new chapter in his sonic exploration.

Conceived as a solemn and immersive piece, the track unfolds around a simple, repeated melody that gradually transforms into pure sonic texture, shifting from form into matter through continuous metamorphosis. Here, the cello is constantly transformed, electrified, and reshaped, merging with electronics in a fluid and organic sonic space.

A defining piece in Gaspar Claus’s recent work, World of Idols (Edit) embodies his ongoing exploration of sound as both texture and narrative.

Cellist, composer, and sonic explorer, Gaspar Claus continues to carve out a singular path between contemporary composition, experimentation, and raw emotion. Following the critical acclaim of Tancade and collaborations with artists such as Rone, Clara Ysé, and Barbara Carlotti, he confirms with this new release his place among the most adventurous voices in contemporary French music.

More about Gaspar Claus

Aārp returns with Kadıköy → Listen

Five years after Propaganda, Aārp returns with Kadıköy, an EP written during a residency in Istanbul, marking a shift toward a more direct, physical, and club-oriented approach.

Built using a minimal setup, the project embraces constraint to refine its sonic language: a reduced palette, precise textures, and an instinctive writing style focused on movement.

Designed for the dancefloor, Kadıköy draws from lived moments, cafés, ferry crossings, and urban nights to create music that is both immersive and personal.

Blending classical roots with electronic influences, Aārp delivers a focused and embodied return, at the intersection of rhythm, space, and the moving body.

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